In Mongolian throat singing, the performer produces a fundamental pitch and—simultaneously—one or more pitches over that. Many male herders can throat sing, but women are beginning to practice the technique as well. The popularity of throat singing among Mongolians seems to have arisen as a result of geographic location and culture. The open landscape of Mongolia allows for the sounds to carry a great distance. Ethnomusicologists studying throat singing in these areas mark khoomei as an integral part in the ancient pastoral animism that is still practiced today. Often, singers travel far into the countryside looking for the right river, or go up to the steppes of the mountainside to create the proper environment for throat-singing. The animistic world view of this region identifies the spirituality of objects in nature, not just in their shape or location, but in their sound as well.
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Throat Singing Music Genre Overview | AllMusic
Throat-singing, a guttural style of singing or chanting, is one of the world's oldest forms of music. For those who think the human voice can produce only one note at a time, the resonant harmonies of throat-singing are surprising. In throat-singing, a singer can produce two or more notes simultaneously through specialized vocalization technique taking advantage of the throat's resonance characteristics. By precise movements of the lips, tongue, jaw, velum, and larynx, throat-singers produce unique harmonies using only their bodies. Throat-singing is most identified with parts of Central Asia, but it is also practiced in northern Canada and South Africa where the technique takes on different styles and meanings. Tuva is a predominantly rural region of Russia located northwest of Mongolia. Singers use a form of circular breathing which allows them to sustain multiple notes for long periods of time.
Beginning Throat Singing Technique
Tuva is a part of Russia , inhabited by a Turkic people related to the nearby Mongolians. Traditionally music from Tuva was only a solo effort. The musician's intention was usually to emphasize timbre and harmonics over rhythm. The performances were often in places of natural acoustics such as caves, cliffs, rivers, and so on.
Throat-singing , also called overtone-singing , a range of singing styles in which a single vocalist sounds more than one pitch simultaneously by reinforcing certain harmonics overtones and undertones of the fundamental pitch. In some styles, harmonic melodies are sounded above a fundamental vocal drone. Throat-singing necessitates activating different combinations of muscles to manipulate the resonating chambers of the vocal tract under sustained pressurized airflow from the stomach and chest. As with operatic singing, the technique requires years of training to master..